Hold onto your headphones, music fans, because Taylor Swift’s ‘The Fate of Ophelia’ is dominating the global charts like a unstoppable force, reigning supreme for a staggering sixth week! But here’s where it gets controversial: while Swift’s track continues its reign, Zara Larsson’s nearly decade-old hit ‘Lush Life’ is making a surprising resurgence, sparking debates about the longevity of pop anthems. And this is the part most people miss—Dave and Tems’ ‘Raindance’ is quietly climbing the ranks, proving that fresh collaborations can still make waves in an increasingly saturated market.
As of January 26, 2026, Swift’s ‘The Fate of Ophelia’ sits comfortably atop both the Billboard Global 200 and Global Excl. U.S. charts, a position it’s held since its October debut. Meanwhile, Larsson’s ‘Lush Life,’ originally released in 2015, has stormed into the Global 200’s top 10, fueled by a viral resurgence that has fans—and critics—asking: Can old hits truly compete with new releases? Larsson herself seems to think so, cheekily urging the U.S. to ‘catch up’ on Instagram.
But let’s not forget Dave and Tems’ ‘Raindance,’ which has cracked the top 10 on the Global Excl. U.S. chart, marking a significant milestone for both artists. For Dave, it’s his second top 10 entry, while Tems celebrates her first, solidifying her status as a rising global star. Is this the start of a new era for international collaborations, or just a fleeting moment in the spotlight?
For the uninitiated, the Billboard Global 200 and Global Excl. U.S. charts are no small feat. They rank songs based on streaming and sales data from over 200 territories worldwide, compiled by Luminate. The Global 200 includes data from every corner of the globe, while the Global Excl. U.S. chart focuses on regions outside the United States. These rankings aren’t just about popularity—they’re a weighted formula that considers official streams, download sales, and even excludes direct-to-consumer purchases to ensure fairness.
‘The Fate of Ophelia’ leads the Global 200 with an impressive 58 million streams and 12,000 sales worldwide in the week ending January 22. The top five remains unchanged, with Djo’s ‘End of Beginning’ holding strong at No. 2, HUNTR/X’s ‘Golden’ at No. 3, Bruno Mars’ ‘I Just Might’ at No. 4, and Olivia Dean’s ‘Man I Need’ at No. 5. But is this stability a sign of stagnation, or a testament to these tracks’ enduring appeal?
On the Global Excl. U.S. chart, ‘The Fate of Ophelia’ dominates with 44.7 million streams and 5,000 sales outside the U.S. ‘End of Beginning’ and ‘Golden’ maintain their positions, while RAYE’s ‘Where Is My Husband!’ holds steady at No. 5. Bruno Mars’ ‘I Just Might’ slips slightly to No. 5 in its second week, but the real story here is ‘Raindance,’ which climbs to No. 8 with 27.6 million streams outside the U.S.
The charts, dated January 31, 2026, will be updated on Billboard.com on January 27. While the top 100 titles are available to all readers, the full 200-title rankings are exclusive to Billboard Pro subscribers. For the latest chart news, follow @billboard and @billboardcharts on X (formerly Twitter) and Instagram.
Behind the scenes, Luminate ensures the integrity of these charts by thoroughly reviewing and authenticating all data submissions. Any suspicious or unverifiable data is removed before the final rankings are published, in partnership with Billboard. But with streaming numbers often questioned for their accuracy, how much can we truly trust these charts to reflect real listener behavior?
What’s your take? Is Taylor Swift’s continued dominance a testament to her artistry, or is it time for new voices to take the lead? And can older hits like ‘Lush Life’ truly compete in today’s fast-paced music landscape? Let us know in the comments—we’re all ears!
